《DREAMING》, Arthur Koestler,”Act of Creation”,1964. CONTINUED

    Here I present:《DREAMING》, Arthur Koestler’, Act of Creation’, 1964. CONTINUED Arthur Koestler’ ladder as a taxonomy of disciplines, can be viewed as chronobiology of meaning — a circadian clock of symbol density. Arthur Koestler’ Clock as Symbol–Energy Gradient. The sequence moves from chemical necessity to aesthetic freedom: 1 o’clock Chemistry – reaction. 2 … Continue reading 《DREAMING》, Arthur Koestler,”Act of Creation”,1964. CONTINUED

《DREAMING》, Arthur Koestler, “Act of Creation”, 1964.

Here I present:《DREAMING》, Arthur Koestler, “Act of Creation”, 1964. First, I need to restate the Arthur Koestler’ structure of “bisociation” in his own conceptual logic, not modern neuroscience language. 1. Bisociation and the “electrochemistry” example. In The Act of Creation’ (1964), Koestler’ introduces bisociation as: the intersection of two previously unrelated matrices of thought. In the … Continue reading 《DREAMING》, Arthur Koestler, “Act of Creation”, 1964.

William Gibson, “Pattern Recognition”, 2003. CONTINUED.

Here I present: William Gibson, Pattern Recognition’, 2003. CONTINUED. A precise terminology refinement of the synonymn “urban”. Here I am separating urban form by symbolic density and nervous-system topology, not by population. Let us align it cleanly in the framework.Post-Uruk Mesopotamia’ Urban Taxonomy. 1. City (Uruk-type)Physical, localized, exosomatic-organ convergence.Symbol density tied to place. 2. Metropolis’City of … Continue reading William Gibson, “Pattern Recognition”, 2003. CONTINUED.

Tatiana Proskouriakoff, “The Act of Creation”, Arthur Koestler, 1964.

  Here I present: Tatiana Proskouriakoff (1909-1985), “The Act of Creation”, Arthur Koestler’, 1964. In Arthur Koestler’ original text, the canonical series is:History→ Biography → Novel → Epic → Lyric This is the exact sequence Arthur Koestler’ proposes, moving from the individual to increasingly abstract or universal forms of expression. The key point for Maya’ decipher Tatiana … Continue reading Tatiana Proskouriakoff, “The Act of Creation”, Arthur Koestler, 1964.

David W. Anthony, “THE HORSE, THE WHEEL , AND LANGUAGE: How Bronze-Age Riders from the Eurasian Steppe shaped the Modern World”, 2007. CONTINUED.

  Here I present: David W. Anthony, “THE HORSE, THE WHEEL , AND LANGUAGE: How Bronze-Age Riders from the Eurasian Steppe shaped the Modern World”, 2007. CONTINUED. Hyperlink Pointing to a deep structural sequence, not just a historical one: ideas made explicit by Luigi Cavalli-Sforza that support David W. Anthony. A. Three (3) Mobility Regimes … Continue reading David W. Anthony, “THE HORSE, THE WHEEL , AND LANGUAGE: How Bronze-Age Riders from the Eurasian Steppe shaped the Modern World”, 2007. CONTINUED.