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Arthur C. Edwards, “Practical Lessons in Melody-Writing”, 1963, PART FOUR (4).

Nicolas Slonimsky, “Thesaurus of Scales and Melodic Patterns”, 1947 was the topic of an earlier blog post.

Here I present: Arthur C. Edwards, “Practical Lessons in Melody-Writing”, 1963, PART FOUR (4). 


INTRODUCTION.

The ABOVE list of “Scale Names with Intervals” is the basis of melody-writing.  The list is thirty-five (35) scales.
 

Number one (1) is “chromatic scale“ which all twelve (12) notes of an octave (C-to-c).


Number two (2) is “Ionian-Major scale” only the eight (8) white-keyboard note of an octave (CDEFGABc).


Number three (3) to number (8) are “Major scale” MODES (octave on white-keys: starting at different “tonic” not #3. DEFGABCd, #4. EFGABCDe, #5. FGABCDEf, #6. GABCDEFg, #7. ABCDEFGa, #8. BCDEFGAb.

COMMENTS.

Nicolas Slonimsky, “Thesaurus of Scales and Melodic Patterns”, 1947 is thesaurus of melodic-scales.  After you try the thirty-five (35) scales ABOVE you can use the  Nicolas Slonimsky book to get to more melodic-scales than you could imagine.  Arthur C. Edwards, “Practical Lessons in Melody-Writing”, 1963 is a book I recommend. You will progress to the level of using all the melodic-scales in the Nicolas Slonimsky book.

 

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